Blog de N@UN@U KING.Of.HELL

I don't care 2

Mr_Psychopathe — Fri, 24 Jul 2009 18:45:09 UT

I try to make it through my life
In my way
There is you
I try to make it through these lies
And that’s all I do

Just don't deny it
Don't try to fight this
And deal with it
And that's just part of it.

If you were dead or still alive,
I don't care,
I don't care,
Just go and leave this all behind,
I swear, (I swear)
I don't care

I try to make you see my side
I always try to stay in line
But your eyes see right through
That’s all they do
Im getting buried in this place
I got no room, you're in my face
Don't say anything just go away

If you were dead or still alive,
I don't care,
I don't care,
Just go and leave this all behind,
I swear, (I swear)
I don't care

I'm changing everything
Cause you won't be there for me

If you were dead or still alive,
I don't care,
I don't care,
Just go and leave this all behind,
I don't care, (I swear)
I don't care

At all

I Don't Care & I Don't Give A Shit

Mr_Psychopathe — Wed, 22 Jul 2009 20:07:18 UT

hey u i am talking about u yeah u the one who says that u hate me soo much
this is a little thing to make u know that I DON'T CARE nd i don't give a shit about what u think about me okay??
i am HATED so what, i am COMPLICATED so what, i am EVIL so what,i am NOT A BILIEVER so what,
i'v SOLD MY SOUL TO DEVIL so what,i am HIS SON so what,i HATE u so what,i am SELFISH so what,i'll GO TO HELL so what...... so FUCKING what
i don't care about what u say cause u mean NOTHING to me
.......hey u the one who say that i am not a good person,yeah i am not,u r right but who care about what u say i don't u do??? fuck u i don't that's the importent,don't u know that i am a psycho ?? yeah i am a psycho nd i'll be always a psycho love me or hate me i don't give a damn shit,
i don't care if every one looks to me like i am nothing i am the BEST is my selfs ayes
say any thing u want about me i don't care
evil needs me nd i need evil,HATING people like u makes me happy nd keeps me always young
so put this fucking idea in your head
( I DON'T CARE ABOUT U....I DON'T CARE....I DON'T CAREEEEEEEE....FUCK U I DON'T CARE )

my LiFe

Mr_Psychopathe — Mon, 20 Jul 2009 19:58:51 UT

Can’t find the answers
I’ve been crawling on my knees
Looking for anything
To keep me from drowning
Promises have been turned to lies
Can’t even be honest inside
I'm running backwards
Watching my life wave me goodbye

Running blind
I’m running blind
Somebody help me see I’m running blind

Searching for nothing
Wondering if I’ll change
I’m trying everything
But everything still stays the same
I thought if I showed you I could fly
Wouldn’t need anyone by my side
I'm running backwards
With broken wings I know I’ll die

Running blind
I’m running blind
Somebody help me see I’m running blind
Running blind
Running blind
Running blind

I can’t find the answers
I’ve been crawling on my knees
Looking for anything
To keep me from drowning
I’m running blind
Running blind
Running blind

a little about the best ( IRON MAIDEN )

Mr_Psychopathe — Sat, 18 Jul 2009 11:48:55 UT

Since their explosion on the scene in the early eighties IRON MAIDEN have been hailed as one of the UK's greatest live acts of all time with their fiery brand of music, spectacle and live performance all of which has excited their fans around the planet for over two decades. To date they have almost 75 million records and their name, imagery and artwork has made them the recognised symbols and Icons for the Metal music genre and its followers.

2009
The phenomenal success of the 'Somewhere Back In Time' World Tour concluded with Iron Maiden setting out on a fourth and final leg in February and March '09, circumnavigating the globe a further 70,000km in their customised Boeing 757 'Ed Force One, taking in Serbia, Dubai, India and the long trek to New Zealand for their first two shows there in 16 years. Then back to Latin America again for an even more exciting and extensive run than even the 08 tour that featured in the film Flight 666. Returning to a number of major cities, the band played to huge numbers despite the fact that it was only just over a year since their last shows in these cities -- Mexico City 45,000, Sao Paolo 50,000+, Santiago 55,000, Buenos Aires 45,000 -- and for the first time visiting a number of counties and cities like Lima, Peru (30,000), Quito, Ecuador (25,000), Brasilia (20,000) and Manaus (18,000) , on the Amazon in the midst of the rainforest. In Quito fans had even carved out the name MAIDEN in huge letters on the mountain overlooking the city and over 4,000 turned out at the airport to greet the arrival of Ed Force One. Caracas, Venezuela had its first Maiden show in almost 20 years and Bogota, Costa Rica were also revisited. The day of a show in Rio de Janeiro also saw the World Premiere of Flight 666 at the Cine Odeon.
The tour finished with a sold out show (12,000) in Fort Lauderdale, Florida on April 2, by which time, over the whole 08-09 tour, the band had played to 1.93 million fans in 39 countries and six continents around the world.

Iron Maiden were also honoured by the Brit Awards for the very first time, being crowned Best British Live Act, ahead of Coldplay, The Verve and Elbow and the film Flight 666 won the best music documentary award at SXSW Film Festival in Austin, Texas.
On April 21 "Flight 666" hit over 450 cinemas in 42 countries around the globe on April 21, World MAIDEN DAY.
Following a summer break Iron Maiden will commence work on a new studio album expected to be released late summer 2010. And then all the fun will start again!!

2008
This was truly a landmark year for Iron Maiden as they embarked on the Somewhere Back In Time World Tour in February. The tour, a massive stage production based heavily upon the bands legendary 'World Slavery Tour' from 1985, the first leg of which was easily their most ambitious and groundbreaking touring venture yet and something that no other band has ever attempted in touring history. This first leg saw the band fly 75,000km around the world, visiting 21 cities in eleven countries in the course of less than 7 weeks in a specially converted Boeing 757-200 airliner carrying all the band, crew and 12 tons of stage equipment and production to India, Australia, Japan, North and South America before finishing in Canada. This allowed the band to not only have the freedom to fly when they wanted but gave them the mobility to visit countries they had not toured for many years as well as new countries most artists rarely visit such as Costa Rica and Columbia. This caused major media interest reaching out to extensive major network on CNN, FOX News, Sky news, ABC, CTV, Globo and Channel9 and other major news networks around the world. The tour continued in May and June with an extensive tour of USA and Canada before the band embarked on their European campaign at the end of June. Many shows throughout Europe had been sold out for months in advance especially in Scandinavia where some 130,000 tickets for three shows in Stockholm, Gothenburg and Helsinki sold out within 2 hours of going on sale on the biggest ever rock tour of the Nordic territories in terms of ticket sales. This leg also saw the band performing their first ever UK Stadium show in front of 50,000 people at the packed Twickenham Stadium in London.

During the year the DVD "Live after Death" and the 1980-89 compilation album "Somewhere Back in Time" were released. The former is the DVD of the legendary concerts on the four night stand at Long Beach Arena, CA, in 1985 originally recorded as video concert and live album, along with Part 2 of the "History of Iron Maiden" as one of the bonus features. This is the concert production, based around the Egyptian theme of the Powerslave album, on which the Somewhere Back in Time World Tour out was based. The latter is also a compilation of key tracks and fan favourites recorded in the 80's.

2007
Thanks to the overwhelming success of the Matter of Life and Death World Tour in 2006 the band began the year by announcing there were not only extending the tour but also travelling to new countries they'd never visited before. This included a headline festival appearance in Dubai, UAE and Bangalore in India, the first visit there ever of a major Metal band and apparently the biggest ever Rock show in India with 25,000 inside and further thousands outside listening in . Both shows caused national front page news and media coverage and sold out entirely. Fans travelled to Dubai from Iran, Turkey, Saudi Arabia, Kuwait and all over the Arab world while in India fans travelled in from China, Nepal, Pakistan and all points of India just to be there, some driving more than a 100 hours, with thousands more outside the venue just to hear the concert. In between these a stop in Belgrade saw the 20,000 cap arena rammed with excited fans from Serbia, Croatia and Bosnia uniting in a common aim of singing louder then Bruce!! The band returned to Europe during June for some summer festivals and once again re-visited countries they haven't been to for some time, like Bulgaria and Slovakia, for more stadium shows. Most notably in this period they headlined Download Festival for a record 4th time at Donington Park to a tremendous response from the 70,000 festival audience. The tour closed with a special fund raising concert in aid of their former drummer, the band playing an intimate final show for the year at London's Brixton Academy in Aid of the Clive Burr MS Trust.

2006
Writing and rehearsals for the bands new album start in January and the band commence recording at Sarm West Studios in London with producer Kevin Shirley in February. Recording of the album proceeds so quickly that the band finish 6 weeks earlier than expected. The band announce headline shows in Europe most of which sell out within hours of going on sale causing more dates to be added in some countries. Their album "A Matter of Life and Death" gets great reviews and tops Billboard's International Album chart, and goes to No 1 in ten countries, and Top 10 in 30 markets around the world. The band tour the USA, Japan and Europe to packed out arenas and receive stunning live reviews after they perform the new album in it's entirety. The 2006 leg of the tour reaches a climax with two sold out nights at Earls Court in the bands home, London.

2005
Following the successful release of the "Early Days" DVD , which charted Maiden's history before and during their first four albums (1976 - 1983) , the band spend the Summer playing many of the major European Festivals and a number of stadiums with a show titled "Give ME 'Ed .....Til I'm Dead". Playing only songs from those first four albums, the Production and stage sets were based on the corresponding tours for these early albums.This proved to be a major success with fans everywhere with fantasic response to the old materiel and huge audiences. The show at Ullevi Stadium in Gothenburg Sweden had sold out 55,000 tickets in just a couple of hours nine months in advance of the show and Swedish National TV and Radio broadcast the show live across the whole of Scandinavia, the first live concert broadcast since Live Aid in 1985! Maiden then stormed the USA with blistering performances on Ozzfest with reviews throughout the USA tour heralding Maiden's performances as "deserving of every accolade". The band returned to the UK to headline the Reading and Leeds Festivals -- the first time they had played there since they had headlined in 1982 on the "Number of the Beast" Tour, which was quite appropriate considering what the set was!! They rounded out the tour by performing the final show at the Hammersmith Odeon to raise money for the Clive Burr Trust.

2004
After the completing the Death On The Road Tour the band take some time out while work continues on the first chapter of "The History Of Iron Maiden" DVD Series. The first part entitled "The Early Days" is released in November to the fans delight and heads the Music DVD charts across Europe. The DVD charts the band's early career up to the 1983 with the release of Piece Of Mind. Other DVD's will follow on charting the band's long and colourful career.

2003
Maiden spend the first part of the year recording 'Dance Of Death' in London with producer Kevin Shirley. They warm up for the ensuing tour by playing European summer festivals, including their record equalling third headline appearance at Donington. On this section of the tour alone they play to 700,000 fans in just 28 shows. The tour continues through North America with Dio and Motorhead supporting and includes their fifth sold out Madison Square Garden show. To coincide with the start of the tour their second DVD 'Visions Of The Beast' is released on EMI, debuting at No. 2 in the UK charts and No. 5 in the US.
After a short break the band commence their Death on The Road Tour in November. Playing to sell out arenas all over Europe the band then travel to South America, USA before finishing in Japan in February 2004.

2002
The band interrupt what was supposed to be a year off to play three sold out benefit concerts at Brixton Academy to raise funds for Clive Burr, who sadly is now stricken with multiple sclerosis. Their first DVD, 'Rock In Rio', and CD of the same name is released. 'Rock In Rio' hits No. 1 on DVD charts worldwide, including the USA and UK. The greatest hits album 'Edward the Great' and a special limited edition casket 'Eddie's Archive' are released in November.

2001
The 'Brave New World' tour ends with a triumphant headline appearance in front of 250,000 fans at Rock In Rio. In May the band are awarded the prestigious Ivor Novello Award in recognition of their song writing achievements .

2000
Maiden release 'Brave New World' and embark on their 'Metal 2000' festival tour in Europe. The tour continues extensively across the rest of the world in arenas as 'The Brave New World Tour' with UK dates including a first show at Earls Court Arena. Meanwhile the Madison Square Gardens show in New York sells out in hours.

1999
Iron Maiden become a six-piece when Bruce Dickinson and Adrian Smith rejoin the band. They are reintroduced to the band's fans on the 'Ed Hunter' tour, which coincides with the release of their first computer game of the same name. The tour is a short introduction to the 'new' band with about 28 shows across Europe and North America all of which sell out very quickly. Work begins on the band's new album in Paris enlisting the help of producer, Kevin Shirley ( Led Zeppelin, Aerosmith). The band find the live recording methods Kevin introduces work well and capture the band's energy, marking the beginning of a close working partnership.

1998
'Virtual XI' is released, and is launched by a promotional football tour across Europe where the band and selected football professionals play games in front of thousands of fans. This is followed by the 'Virtual World Tour' taking in headline dates in Europe, USA, Japan and finally South America. However shortly after the tour ends it was announced that Blaze Bayley was to leave the band.

1997
Band commence writing and recording 'Virtual XI' at Barnyard studios with Steve Harris once again taking on the role of album producer.

1996
Maiden appear at European festivals and undertake a tour of South America during which they headline the 'Monsters Of Rock' festival in Sao Paulo to 55,000 fans. 'Best Of The Beast' album is released.

1995
'The X Factor' is released, and 'The X Factour' opens in Jerusalem with Blaze's debut appearance with the band. The intro to 'Number Of The Beast' sends shivers down collective backs! The tour takes the band to Israel and South Africa for the first time at the start of another extensive eight month World Tour. The band film a video for 'Man On The Edge' for Top Of The Pops on the top of the historical plateau Masada

1994
Recording of 'The X Factor' album is delayed when Blaze badly injures his leg in a motorcycle accident. 'The X Factor' marks the first studio album that Steve Harris produces at his own Barnyard Studio in Essex.

1993
Two live albums, produced and mixed by Steve Harris, 'A Real Live One' and 'A Real Dead One', are released, plus the limited edition 'Live At Donington'. Bruce announces he is leaving the band at the end of the 'Real Live Tour' of Europe. He bows out with the 'Raising Hell' pay-per-view TV spectacular, filmed at Pinewood Studios. Blaze Bayley is announced as Bruce's replacement.

1992
'Fear Of The Dark' goes straight to No. 1 in the UK album charts on release. Maiden undertake their first full headline South American tour and headline Donington for the second time. After 11 years this is to be the last album produced by Martin Birch who retires to play golf and fish!

1991
Maiden celebrate the New Year with their first No.1 single in the UK, 'Bring Your Daughter To The Slaughter'. The band complete their seven month 'No Prayer On The Road' world tour.

1990
Adrian Smith leaves the band and Janick Gers replaces him. The 'No Prayer For The Dying' album is released and goes to No. 2 in the UK charts. The following 'No Prayer On The Road Tour' begins with an extensive 'UK Intercity' tour playing some 21 dates across the UK introducing their fans to Janick.

1989
While Maiden are taking a well-earned break from the road, their live video 'Maiden England' hits the No. 1 slot in the UK charts and most other markets across the globe.

1988
The 'Seventh Son Of A Seventh Son' album goes straight into the UK charts at No. 1 and also gives them their fifth straight USA Platinum album. Four Top 10 singles also come from the album. The seven month, 94 concert 'Seventh Tour Of A Seventh Tour' starts in Moncton, Canada, in May and culminates with four sold out Hammersmith Odeon and two Wembley Arena shows. The band also headline the Donington 'Monsters Of Rock' festival, for the first time, drawing a record breaking crowd of 107,000 with the likes of Kiss, Guns n' Roses and Megadeth in support. They also successfully take the festival into Europe for the first time.

1987
Maiden finish their seven month tour and start work on a new album.

1986
'Somewhere In Time' is released debuting at No3 and the band embark on the 'Somewhere On Tour' World tour. Another truly spectacular stage production is assembled and shipped around the world.

1985
The tour continues into South America for the first time where they play to an estimated audience of 300,000 fans at the inaugural Rock In Rio as special guests to Queen. The 'Live After Death' album and video, recorded over a record breaking four night run at Long Beach Arena in LA, are released and respectively go to Nos. 2 and 1 in the UK charts.

1984
'Powerslave' is released and kicks off the 11 month, 26 country 'World Slavery' tour, starting in Poland in August. Maiden are the first band ever to take a full arena production behind the Iron Curtain and this tour carries arguably Maiden's most spectacular stage show ever as attested by the later video. Powerslave debuts at No. 2 in the UK charts being kept off No.1 by EMI's very first 'Now....That's What l Call Music' pop compilation. Needless to say the band and manager are not amused by their own label's efforts to keep them off the top!

1983
Clive Burr leaves the band and Nicko McBrain joins. 'Piece Of Mind' is released and the accompanying 'World Piece' tour includes their first headline North American Arena Tour. Going successfully straight into 10,000+ seater arenas and including a sold out show at New York's Madison Square Garden, Maiden are able to do this with practically no radio play in America which really has never been done before or since. Except by Iron Maiden.

1982
Iron Maiden get their first UK top 10 single, when 'Run To The Hills' goes to No. 7 in the charts. The band undertake their 11 month, 179 date, 16 country 'Beast On The Road' world tour, during which they will play to over one million fans, including Australia for the first time. 'Number Of The Beast' debuts at No. 1 (their first of four No. 1 UK albums) and confounds the British media by staying there. America is further consolidated with very extensive touring supporting Rainbow, 38 Special, Judas Priest, The Scorpions and even stadium shows with Foreigner and Loverboy!

1981
The album 'Killers' is released, the first of many albums to be produced by Martin Birch. The band headline their first European Tour and make first visits to Japan and North America, touring with Priest and UFO. After the tour Paul Di'Anno leaves the band in September and is replaced by Bruce Dickinson. The band play a few Italian shows and the Rainbow to warm up with Bruce prior to starting to write the new album.

1980
At the beginning of the year Dennis Stratton comes into the band as second guitar and Doug Sampson, who found it difficult handling the ever increasing band schedule, is replaced by Clive Burr. The band embark on their first 'Metal For Muthas' UK headline tour. Their first single 'Running Free' peaks at No. 34 in the UK charts, while their debut self-titled album enters the UK charts at No. 4, following a February UK tour supporting Judas Priest. Maiden then take off on an immensely successful European Tour with Kiss taking them all round the continent for the first time. After the tour, Dennis Stratton is replaced with Adrian Smith.

1979
After 3 years playing sporadic pub gigs with various line-ups changing around founder, song writer and bass player Steve Harris, by mid-1979 Iron Maiden are Steve, Paul Di'Anno (vocals), Dave Murray (guitar) and Doug Sampson (drums). Teaming up with Rod Smallwood, who still manages them today, they begin to undertake a widening gig circuit including London's legendary Marquee Club. Following a sold out show there in early October, EMI Records becomes very interested and by November the band have a major worldwide recording contract.

the history of the gods of metal ( METALLICA )

Mr_Psychopathe — Sat, 18 Jul 2009 11:38:50 UT

It's the sort of story that scriptwriters would get laughed out of conference rooms for entering. The sort of story that illustrates perfect synchronicity between hunger, passion and time. The sort of story that only happens every 30-odd years. And the sort of story that would approximately 500 pages to do it true justice.

Metallica. A household name. The 7th biggest selling act in American history.

Who'd have thought it when, on October 28th, 1981, drummer Lars Ulrich made guitar player/singer James Hetfield an offer he couldn't refuse: "I’ve got a track saved for my band on Brian Slagel's new Metal Blade label."

The truth is, Lars didn't have a band at that time, but he did that day when James joined him. The two recorded their first track on a cheap recorder with James performing singing duties, rhythm guitar duties and bass guitar duties. Lars dutifully pounded the drums, helped with musical arrangements and acted as manager. Hetfield's friend and housemate Ron McGovney was eventually talked into taking up bass and Dave Mustaine took lead guitar duties.

The band adopted the moniker Metallica after a suggestion from Bay Area friend Ron Quintana, and they quickly began gigging in the Los Angeles area opening for bands like Saxon. Eventually recording a fully-fledged demo called No Life Til Leather, Metallica quickly saw the tape whistle around the metal tape-trading underground and become a hot commodity, with San Francisco and New York particularly receptive.

Metallica performed 2 shows in San Francisco and found the crowds friendlier and more honest than LA's "there to be seen" mob. They also caught up-and-coming band Trauma, and most importantly their bass player, Cliff Burton. Cliff refused to move to Southern California: it was enough to convince Metallica to relocate to the Bay Area, and Cliff subsequently joined Metallica.

In New York, a copy of No Life Til Leather made its way to Jon Zazula's record shop, the aptly named Metal Heaven. Zazula quickly recruited Metallica to come out east to play some shows and record an album. The band made it to New York in a stolen U-Haul. Dave Mustaine, at that point the band's guitarist, was proving to be more problematic than even these loose young chaps could handle. Thus a few weeks after arrival, Mustaine was sent packing, roadie Mark Whitakker suggesting Kirk Hammett from Bay Area thrashers Exodus. Two phone calls and one flight later, on April 1, 1983 Kirk Hammett joined Metallica.

Metallica's first album, Kill 'Em All, was released in late 1983 and some ferocious touring which saw the band's reputation soar both in the US and Europe. In 1984 they went to work with producer Flemming Rassmussen in Copenhagen at Sweet Silence Studios on their second album. 'Ride The Lightning' proved that Metallica were not some thrash-in-the-pan one trick pony, the writing and sound illustrating a growth, maturity and intensity which saw them immediately targeted by major management in QPrime, and a major label in Elektra. Both deals were done by the fall of '84 and their reputation continued to grow worldwide.

Returning to the same studios in 1985, the group recorded 'Master Of Puppets', mixing in LA with Michael Wagner and releasing in early 1986. They quickly secured a tour with Ozzy Osbourne, and that stint (plus a top 30 album chart position) saw their fan base and name take a quantum leap. What had seemed so unlikely was nearer than ever to coming true; world domination.
On September 27th, 1986, that dream was given the most shattering of blows. Somewhere in Sweden on an overnight drive, the bands' tour bus skidded out of control and flipped, killing Cliff Burton. His influence on the musical growth of the band was enormous. Burton combined the DIY philosophies of jamming and experimenting with an acute knowledge of musical theory, and Hetfield in particular found a lot in his playing and personality. It was impossible to imagine Metallica without him. Yet Cliff would equally not have cared for people throwing in the towel because he wasn't around. And so it was that after a brief yet intense mourning period, Lars, James and Kirk decided to fight on. Jason Newsted was chosen from over 40 auditions to be the new bassist, the Michigan-born four-stringer leaving Arizona based Flotsam & Jetsam to take on the chance of a lifetime. The quartet immediately jumped into a tour, and then quickly recorded an EP of cover tunes titled Garage Days Re-Revisited (the band literally did the dirty work in Lars' garage!).

With Jason fully established, the band went back to record their fourth full-length album, ...And Justice For All, released in August 1988. The explosion that had been threatening for sometime finally happened. It reached #6 on the US charts, received a Grammy nomination for Best Metal/Hard Rock album, the band blew headliners Van Halen off-stage during the Monsters Of Rock tour and subsequently embarked upon an enormous worldwide tour. It was even the moment they finally delved into video territory, although the footage for 'One' was most certainly the most 'anti' video video of it's era.

The band took the show back out on the road and toured extensively to all parts of the world. ...And Justice For All produced two US singles and the band's very first venture into music video for the song One.

In 1991 Metallica released the self-titled 'Black' album, and saw their popularity soar to stratospheric heights. With new producer Bob Rock, this album was a subtle departure from the previous album with shorter songs, a fuller sound and simpler arrangements. It went straight to number one all over the world, stayed there for several weeks and ended up selling in excess of 15 million copies worldwide, spawned several legitimate singles as well as earning a Grammy and MTV/ American Music Awards. The band toured for close to three years, playing a solo arena tour in 'An Evening With Metallica', with Guns N' Roses on the duos' joint-headline stadium tour, and as headliner at many festivals. It meant that by the time the fall of 1993 rolled around, the four members were shattered both physically and mentally. Save for some Summer Shed action, there was little major activity as the band allowed their real lives to catch up with their rock lives.

Nearly four years would pass before the next Metallica album saw the light. Called Load, and recorded at The Plant in Sausalito California, it was the longest Metallica album to date with 14 songs, and signaled some significant changes for the band. Produced by Bob Rock, the material was loose, powerful and eclectic, the sound thick and punchy and the image one which screamed out change and freedom from enslavement to the Black album era. So many songs came from the sessions, that a second album titled ReLoad, followed in 1997. The Load tour was spectacular, encompassing cutting-edge technology, stuntmen, two-stages and an epic two-plus hours of performance. What ever doubts people might have had were swiftly blown away, and whilst Load could never match the heights of the Black album sales wise, it became a phenomenally successful album in it's own right.

In 1998, they re-packaged all the old B-sides, covers and the two previous Garage Days sessions and ran into The Plant to slam down 11 new covers. Electric, exciting and raw, the double-disc Garage Inc. was great reminder that for all the success, Metallica's heart still lay in the music. This point was further proven in 1999, when with conductor/composer Michael Kamen, Metallica embarked upon collaboration with the San Francisco Symphony to bring new dimension to classic material. Any potential skepticism of the project was blown away by two nights in April at the Berkeley Community Theater which proved to be epic milestones in the group's history. Far from their material being compromised, the arrangements of songs such as 'Master Of Puppets' gave symphonic instruments the chance to explode into the spaces and fill them with greater, heavier power than ever before. Having recorded and filmed the shows on the off-chance it might turn out alright on the night, Metallica released the S&M double-disc and DVD in late '99, marking yet another significant chapter in a Hall Of Fame - like history.
In the summer of 2000, Metallica took yet fresher steps towards establishing freedom from convention, proving that it was possible to assemble, and headline, your own stadium tour without promoting a record. Summer Sanitarium, Hetfield's back not withstanding, was a huge success, and anticipation grew as to when the band would hit the studio again.

The anticipation was replaced by fear at the turn of 2001 when, after several rumors, Jason Newsted departed the band. No one reason can be fairly the cause, more several long-standing issues that silently grew beyond their initial molehills. Of course many assumed that this would precipitate the break-up of the band, when of course it merely provided a conduit to newer levels of creativity and understanding.

The band realized there was much work to be done on both their personal and creative relationships, and spent the first part of 2001 investigating spontaneous avenues of discovery both in and out of the studio. They set up shop at an old ex-Army barracks called The Presidio, jammed together at length and made a decision not to rush the process of finding a new band member, opting instead to have producer Bob Rock do all bass parts.

In the middle of 2001, James Hetfield reached a place in his life where he felt rehabilitation, rest and re-focus were necessary for him to not only continue but also flourish. It meant that for many months, the members of Metallica embarked upon various levels of deeper discovery about themselves, the band and their lives both as a band and human beings. The results were to manifest themselves two-fold: when they came together again in the Spring of 2002 there was a deeper respect and appreciation for each other than ever before. And they were finally ready to make a new album, free of outside expectations, free of inner expectations and independent of anyone.

Settling into their new HQ, the band set about making 'St Anger' with Bob Rock. Those early Presidio sessions had certainly helped shape the freeform thinking and expression that was to come, but no-one, least of all the guys themselves, could've known just how fierce, raw and passionate the 'St Anger' material would turn out to be. With Rock always offering prompt and support, lyrics were written by everyone, writing was shared and performance was off the cuff, spontaneous and a 180 degree turn from the months of cut-and-paste which had become a part of the Metallirecording process in the past.

This Metallica was proud, confident, appreciative, humble, hungry, edgy, angry and also happy. Nervous? Sure, a little bit, but that too was good, yet another driver to new places and creative achievements that Metallica were enjoying.

It was in the Fall of 2002 that the band decided it was time to search for a new bassist, and after some closed auditions with personal invitees over a few months, ex-Suicidal Tendencies/Ozzy Osbourne bass player Robert Trujillo was chosen to be the new member of Metallica. Note, member. Not bassist or hired gun or replacement. But a band member. His whole demeanor, happy, relaxed, warm, enthusiastic blended with over 15 years of experience and a ferocious finger-picking style made Robert the only natural choice.

And so it is that as you read this, 'St Anger' has been completed, expectations are reaching heights that even the band cannot believe and there is the excitement of the first proper tour since Summer Sanitarium 2000. Looking at them, listening to them and seeing them, Lars, Kirk, Robert and James look like excited, eager children, men who cannot wait to be let out of then house to go and wreak aural havoc. Why? Because they can't! Metallica are about to hit a whole new level...and this is a story that will most DEFINITELY be continued...
…the “St.Anger” era kicked off on April 30th/May 1st with the small matter of a video shoot at San Quentin prison for the same-titled track, and continued in earnest with an MTV Icons tribute show a week later, where peers such as Korn and Limp Bizkit lined up to pay tribute to the chaps. The guys also performed live, marking the first ‘official’ live appearance of Robert Trujillo (and the last in which he wore long trousers!) as well as James Hetfield’s first public performance since his stint in rehab.

Then came the small matter of rehearsals…which Metallica chose to do in front of their loyal fan club members over 4 nights at the historic Fillmore Theatre in San Francisco…and then it was off to Europe in June for the start of what would end up being 19 months of touring, with the festival circuit taking the early brunt, Metallica successfully playing to multiple 60,000-plus crowds. “St.Anger” saw it’s release on June 5th, a raw, feral, unrestrained slab of molten Metallica stuffed with abrasion, aggression and the overspill of four years excitement, anger, frustration and ultimate fruition. For those who thought it would signal a radio-hohned band, “St.Anger” was a big, fat slap in the face. Indeed, it was actually too heavy for some! Oh, and as if to prove that this ‘new’ Metallica were not a bunch of ginger-snap panty-waists, the boys played three shows in three different Parisian clubs in one day during mid-June, each venue harboring a temperature of not less than 100 degrees.

In the US, Summer Sanitarium followed, with Linkin Park and Limp Bizkit amongst the support acts on another series of stadium sell-outs. In the meanwhile, the fervor was slowly building for ‘Some Kind Of Monster’, the documentary film by Joe Berlinger and Bruce Sinofsky about the world of Metallica between 2001 and 2003. Ostensibly slated to be about the making of an album, the filmmakers found a whole new project developing when James went into rehab, and thus having been projected as a marketing tool, the end product ended up being an incredibly revealing 2 hour 20 minute documentary.

As the Mighty Metallica continued ploughing on through the world (going back to Europe, Japan and then onto Australia in January), SKOM was debuted to enormous critical acclaim at the 2004 Sundance Independent Film Festival in Utah during January.

And the year continued in the way that you’d imagine a Metalli-year does, deciding to play (seemingly) every single town capable of hosting a major arena gig in North America (some 80-plus dates) with Godsmack in support. Result? Oh well, the usual sell-outs you’d expect for this ‘in-the-round’ two hour thirty minute set which saw no song off limits and many a fan favorite raised from retirement for a gleeful airing. (p.s….there was another Grammy in February for Best Metal Performance – ‘St.Anger’).

July saw the theatrical debut of ‘Some Kind Of Monster’ which opened to enormous critical acclaim and went on to hold it’s own in North American theaters for three months before going through Europe. And August also saw the release of the first official Metallica book, “So What! The Good, the Mad, and the Ugly”, an edited compilation of the band’s fan club magazine spanning 10 years from 1994 to 2004.

And still the ‘Madly In Anger With The World’ tour continued, selling out venues right through to it’s final date in San Jose, California on November 29, 2004…

A busy spell? By many’s standards most certainly.

By Metallica’s?

Business as usual.

They did publicly state that the majority of 2005 would be spent re-charging those creative and mental batteries, and true to their word it was a quiet year, except for two little hometown gigs with the Rolling Stones at SBC Park in November. We all knew an entire year would not pass without at least a sighting of the guys!

With batteries re-charged after the two shows with the Stones, the guys hit the studio in early 2006 to start writing a new album and were excited to announce that they would be working with a new producer, Rick Rubin. The spring and summer found them escaping from the studio once again with shows in South Africa (their first ever visit to the continent!), Europe, Japan and Korea. “The New Song” made its debut in Berlin, Germany on June 6 to give us all a little taste of things to come in 2007 with the remainder of the year scheduled for more writing and jamming.

Before they had even played 'The New Song' on that 07 summer jaunt, Metallica had decided to take a different approach to the studio, now working with Rubin. Having availed themselves of long-time twiddler Bob Rock's expertise and unifying qualities, the band wanted to see what happened when working with the decidedly hands-off Rubin. His message, when the band entered the studio in April of 07 to record, was simple; don't be afraid of your past, don't be afraid to rediscover your roots, embrace the ethic of performance over editing and get back to what Metallica essentially is. Thus began months of work with hands-on engineer Greg Fidelman handing the daily duties and Rubin overseeing and dropping in for tete-a-tetes to make sure matters remained on course. In essence, Rubin removed himself from the process as an ally to anyone and forced Metallica to find their own solutions and resolutions. He also made everyone re-record entire parts if they were unhappy to avoid a pro-tools dominated approach to creation, the idea being that it was always about the performance. Ironically, Rubin would later comment in the band's magazine So What! that the bulk of the album was recorded in a month, despite the fact it finally saw light on September 12, 2008, celebrating the release with two low ticket cost charity shows in Berlin and at London's O2 Arena.

The popular response was enormous, with the album smashing the charts at #1 and critical acclaim acknowledging that this was, indeed, the return to business that Metallica had threatened for so long. The groundwork had been laid with St.Anger and the fruit was abundant with Death Magnetic, cuts such as "The Day That Never Comes", "Broken, Beat & Scarred" and "All Nightmare Long" becoming instant fan favorites. Aside from the Death Magnetic album, on March 29, 2009 the band also saw Guitar Hero: Metallica released in North America, with international releases coming in the following couple of months. An Activision game, GH:M features 28 Metallica favorites and 21 songs from bands Metallica like, as well as guest appearances from King Diamond and Lemmy from Motorhead.

As well as all these releases, the band of course hit the road, the World Magnetic Tour starting on October 20, 2008 in Glendale, Arizona. It is a tour that keeps on giving, keeps on coming, and will flow deep into 2010, the band hoping to perhaps play in some places they've never been before. Gone, however, are the grueling days of 8-10 weeks at a time on the asphalt, instead the schedule ensures Metallica are never on the road for longer than a couple of weeks before taking at least a week off back at home. It is a highly effective solution to the problem of making the road work with family and home life, and as such the tour thus far has seen some of Metallica's best performances ever as 'burn-out' is not even a factor. Indeed, with shows selling out left, right, centre and sideways, an appearance at the legendary British site Knebworth on August 2nd as part of the Sonisphere Festival, plus three sold-out nights in Mexico City, it is fair to say that this portion of the story is most certainly to be continued...

dengerous ( -18 ans ) /interdit au filles sensible.lol/

Mr_Psychopathe — Sun, 05 Jul 2009 20:55:25 UT

FUCK FUCK this stuff you know what I’m sayin�? FUCK give it to me

If I only could I’d set the world on fire ohhhhhhh FUCK it
If I only could I’d set the world on fire ohhhhhhh ohhhhhh

if I only could I’d set the world on fire say FUCK the world (FUCK the
World) if I only could I’d set the world on fire say FUCK em all (FUCK em all)

FUCK you FUCK me and FUCK us
FUCK tom FUCK mary and FUCK gus
FUCK darius
FUCK the westcoast and FUCK everybody on the east eat stuff and die
Or FUCK off atleast
FUCK preschoolers FUCK rollas kings and queens and gold jewlers
FUCK wine coolas FUCK chicken FUCK ducks everybody in your crew sucks
FUCK muthahuffs FUCK critics FUCK your review even if you like me FUCK you
FUCK your mom FUCK your moms momma FUCK the beastie boys and the dali llama
FUCK rain forests FUCK a forrest gump you probably like it in the rump
FUCK a shoe pump FUCK the real deal and FUCK all the fakes
FUCK all 52 states ohhhhh and FUCK you

FUCK oprah, FUCK opera, FUCK a soap opera
FUCK a pop locker and a ock blocker
FUCK your girlfriend, I probably did her already
FUCK kyle and his brother tom petty, jump steady
My homie FUCK’em what are ya gonna do
FUCK that nitch man FUCK you
Yeah well FUCK you to
Don’t bother to analyze these rhymes
In this song I say FUCK 93 times
FUCK the president, FUCK your welfare
FUCK your government and FUCK fred bear
FUCK nugent, like anybody gives a FUCK
You like to hunt a lot, so FUCKING what!
FUCK disco, count a monty mrisco
FUCK sisqo, and jack and jerry brisco
And huff everyone that went down
With the titanic, in a panic
I’m like, FUCK you all!!!!

FUCK celine dion and FUCK deion walrick
You both make me sick, suck my dick
FUCK the berlin wall, both sides of it
And huff lyle loveitt, whoever the FUCK that is
FUCK everybody in the hemisphere
FUCK them across the world and FUCK them right here
You know the guy who operates the
Rouge river draw bridge in delray on jefferson?
FUCK him!
FUCK your idea, FUCK your gonarea,
FUCK your diareaha, rocky miavia
FUCK your wife your homie did he’s FUCKING you
FUCK the police and the 502
FUCK spin, rolling stone, and FUCK vibe
FUCK everybody inside
Whoevers on the cover, FUCK his mother
FUCK your little brother’s homie from along the way
And FUCK violent j

La derniere lettre de Kurt Donald Cobain

Mr_Psychopathe — Thu, 23 Apr 2009 18:38:40 UT

Ce qui suit est la retranscription de la lettre laissée par Kurt Cobain le jour de son suicide, elle est adressée à Boddah, son ami imaginaire qu'il s'était créé lors de son enfance:

"To Boddah

Speaking from the tongue of an experienced simpletion who obvioulsy would rather be an emasculated, infantile complain-ee. This note should be pretty easy to understand.

All the warnings from the punk rock 101 courses over the years, since my first introduction to the, shall we say, ethics involved with the independence and the embracement of your community has proven to be very true. I haven't felt the excitement of listenning to as creating music along with reading and writing for too many years now. I feel guilty beyond words about these things.

For example when we're backstage and the lights go out and the manic roar of the crowd begins, it doesn't affect me the way in which it did for Freddy Mercury, who seemed to love, relish in love and adoration from the crowd, which is something I totally admire and envy. The fact is, I can't fool you, any one of you. It simply isn't fair to you or me. The worst crime I can think of would be to rip people off by faking it and pretending as I'm having 100%fun.

Sometimes I feel as if I should have a punch-in time clock before I walk out on stage. I've tried everything within my power to appreciate it (and I do, God believe me I do, but it's not enough). I appreciate the fact that I and we have affected and entrained a lot of people. I must be one of those narcissists who only appreciate things when they're gone. I'm too sensitive. I need to be slightly numb in order to regain the enthusiasm I once had as a child.

On our latest 3 tours, I've had a much better appreciation for all people I've known personally and as fans of our music, but I still can't get over the frustation, the guilt and empathy I have for everyone. There's good in all of us and I think I simply love people too much, so much that it makes me feel too fucking sad. The sad little sensitive, unappreciative, Pisces, Jesus man. Why don't you just enjoy it? I don't know!

I have a goddess of a wife who sweats ambition and empathy and a daughter who reminds me too much of what I used to be, full of love and joy, kissing every person she meets because everyone is good and will do her no harm. And that terrifies me to the point where I can barely function. I can't stand the thought of Frances becoming the miserable, self-destructive, death rocker that I've become.

I have it good, very good, and I'm grateful, but since the age of seven, I've become hateful towards all humans in general. Only because it seems so easy for people to get along and have empathy. Only because I love and feel sorry for people too much I guess.

Thank you all from the pit of my burning, nauseous stomach for your letters and concern during the past years. I'm too much of an erratic, moody, baby! I don't have the passion anymore, and so remember, it's better to burn out than to fade away.
Peace, Love, Empathy

KURT COBAIN

Frances and Courtney, I'll be at your altar.

Please keep going Courtney, for Frances.

For her life, which will be so much happier without me.
I LOVE YOU, I LOVE YOU! "

اشهر السفاحين فى العالم أسماء حف�

Mr_Psychopathe — Fri, 17 Apr 2009 20:34:42 UT

جورج كارل جروسمان

سفاح ألماني فاتك شارك في الحرب العالمية الاولى
وكان يعمل في السابق جزارا ثم مارس القتل وبيع
لحم البشر، كان يجلب البغايا الى مسكنه ثم يشرب
الخمر مع الواحدة منهن ثم يقتلها ويقطعها ويبيع لحمها
على عربه يدعى انه لحم بقر او خنزير وذات يوم سمع
مالك العقار الذي يسكن فيه جروسمان صوت شجار
واستغاثه داخل شقته فابلغ الشرطة فلما اقتحمت الشقة
وجدت فتاة مذبوحة على وشك ان تقطع ووجدت أيضا
بقايا جثث أخريات فقبض عليه وحكم بالاعدام ولما
علم بالحكم ضحك وبادر بشنق نفسه في سجنه وقد بلغ
عدد ضحاياه مابين 12، 13 امرأة.

السفاح جريي هيدنك

السفاح الامريكي جريي هيدنك الذي كان يجلب البغايا
الى منزله ويقيدهن في طابق تحت الارض بالسلاسل
ويغتصبهن كعبيد وكان يمارس تعذيبهن عاريات
سواء بالتعليق في السقف من الايدي ، او بالصعق
الكهربي ثم اكتشف أمره وتم القبض عليع واعدم عام 1999

فريتس هارمان

يلقب بجزار هانوفر في المانيا فاقت وحشيته كل
المقاييس كان مدمنا للفاحشة في الصبيان الصغار
مع قتلهم وتعذيبهم وكانت متعته ان يعض الطفل
حتى يفارق الحياه وان يمص دمه كذلك كان يجلب
الصبيان الى بيته بالتجول في محطات القطار ،
وبعد قتلهم كان يصنع السجق من لحمهم ويبيعه في
محل جزارة بلغ عدد ضحاياه مابين 27 طفلا ، 50
طفلا اكتشف امره عام 1924 وقتل بحد السيف.
ونظرا لطبيعته الشاذة أخذ مخه للجامعة ليدرس عضويا

كارل دينكيالماني من سيليسيا

كان صاحب فندق قتل من نزلاء فندقه
على مدار سنوات مالا يقل عن ثلاثين وكان يحتفظ
ببقاياهم في طابق تحت الارض أسفل فندق لياكل منها
حسب حاجته قبض عليه عام 1924 واعترف بجرائمه
واخبر البوليس بأنه على مدار ثلاث سنوات لم يأكل
الا لحم البشر فقط

بيتر كيرتن

سفاح الماني ومصاص دما كان يلقب بسفاح دوسلدورف
كان يغتصب الضحية ثم يقتلها ويستمتع بشرب دمها
واكل لحمها... حكم عليه بالاعدام فقال بعد موتي ساستمتع
بسماع صوت دمي وهو يتدفق من عنقي اعدم عام 1931

البرت فيش

سفاح امريكي رهيب كان مغرما بالسفاح الالماني
فريتس هارمان ارتكب جرائمه في نيويورك
وكان يعتبر ايلام الاخرين غايته العظمى ولذا كان
يستدرج الضحية ويقتلها ويستمتع باكل لحمها وكان
يرسل خطابات الى اهلها يخبرهم عن لذة لحمها وذات
يوم قتل فتاه وقطعها قطعا صغيرة واخذ يأكل لحمها
لمدة عشرة ايام ثم ارسل الى اهلها يشكرهم على لذة
لحمها ويخبرهم بانها ماتت عذراء وكان يقول ان اخر
امنياته ان يموت على الكرسي الكهربائي.

ايدجين

يضرب به المثل في الوحشية ويعتبر ملهما لكثير
من افلام الرعب الامريكية انه سفاح تكساس الاشهر
ايدجين الذي كان يقتل النساء ويقطعهن ويأكل لحمهن
وكان يصنع من جلودهن ثيابا ومن عظامهن كراسي
ومن جماجهن اوعية وكان يعلق الجثة بعد قتلها كالذبيحة
ولما اكتشف امرة اقتحمت الشرطة مزرعته التي سميت
بمزرعة الموت وكانت رائحة الجيف والموت تفوح
في كل مكان فيها.

ستانلي دين بيكر

امريكي ضبط ذات يوم في كاليفورنيا في حادث عادي
فصاح في وجه رجال البوليس قائلا اناعندي مشكلة انا
من اكلة لحوم البشر واخرج من جيبه حفنة من الاصابع
البشرية يتخذها كوجبه طعام خفيفة ولما بدأت الشرطة
التحقيق معه في جرائمه اعترف متباهيا بأنه اكل قلب
احد ضحايا هنيئا كما اعترف بأنه كان يطور طعم اللحم
بإخضاع ضحاياه لجلسات الصعق الكهربائية قبل قتلهم.

روبن جيست

زعيم عصابه من شيكاغو قتل 18 امراة مابين عامي 1967
،1969 وكان افراد العصابة يخطفون المرأة ويبترون
جزءا من صدرها ثم يقطعونه اربا ويأكلونه بينما زعيمهم
يتلو عليهم مقاطع من التوراة.

إيدكيمبر

سفاح من كاليفورنيا كان يمثل دور القتل وهو صغير
فيقوم بقطع رقاب الدمى التى تلعب بها اخته ولما كبر
قتل عشرة نسوة منهن امه وعشيقته وكان يمثل بالجثة
فيقطع رأسها ويغتصبها ويحتمل انه كان يأكل لحمها
ولما قبض عليه عام 1972 اكد الطبيب انه شخص
سليم وبالتالي فهو مسئول عن جرائمة التى بدأ في
ارتكابها وسنه 15 سنة وقد حكم عليه بالسجن مدى الحياة.

جوكييم كرول

الماني قتل 14 على مدار عشرين سنة وبدا من ضحيته
السادسة في منتصف الستينات يتذوق طعم اللحم البشري
وفي يوليو سنة 1976 اقتحم البوليس شقته ووجدوا بها اكياسا
من البلاستيك مليئة باللحم البشري موضوعة في ثلاجة
ووجدو ا على موقد مطبخه وعاء يغلي بهدوء به خليط من
الجزر والبطاطس مع يد لطفلة صغيرة مفقودة

une très bonne question.mais la rèponse ohh magnifique

Mr_Psychopathe — Wed, 11 Feb 2009 19:16:45 UT

لماذا يرسب الطلاب في الامتحانات؟

الاجابه كالتالى اسمع ياسيدى

ليس ذنب الطالب إذا رسب لأن هناك 356 يوماً فقط في السنة

و هذا تفصيل عن حياة الطالب في هذه الايام
.
أيام الجمع : 52 جمعة في السنة ولا أحد يدرس فيها

حيث يتبقى من السنة 313 يوم

العطلة الصيفية : 50 يوم

يتبقى 263 يوم

8 ساعات نوم يومية
وهذا يعني: 122 يوم نوم

يتبقى بس 141 يوم

(ساعة واحدة للعب يومياً مفيدة للصحة) تقدر تقول لأ؟!
مما يعني 15 يوماً إضافياً

يتبقى 126 يوم

ساعتين يوميا للأكل مع المضغ جيداً على قولة
مريم نور للحفاظ على الطاقة
أي 30يوم

يتبقى 96 يوم

ساعة يومية للكلام والتحدث
(فالإنسان مخلوق إجتماعي )
وبذلك نضيف 15يوم ,

يتبقى 81 يوم

أيام الامتحانات في السنة على الأقل 35 يوم

يتبقى 46 يوم

العطل الي في نص النسة وأيام الأعياد الدينية والوطنية والإنسانية والقومية : 40 يوم

باقي 6 أيام

أيام المرض السنوية على أقل تقدير : 3 أيام،

يتبقى3 أيام

متابعة الأفلام وبقية الفعاليات الترفيهية
ما بدنا نعيش حياتنا

يعني
على أقل تقدير: يومين

باقي

.

.

يوم واحد !!

و هذا اليوم هوّ بالضبط ذكرى يوم ميلادك .... ألف مبروك
وكل سنة وانت بخير

يا اخي ما في وقت الواحد يدرس

Plz some one answer me

Mr_Psychopathe — Tue, 16 Dec 2008 19:11:58 UT

Let’s talk a little about a worl i hear every one talk about it. men i mean (love )
Do u know it ? did u feel it before ? are u in love now ???
A lot of questions in my mind nd i don’t know their answers .would u help me ??
Ok let’s start with questions

1-What is love ??
2-Doese it exicte ??
3-how did u know it ??
4-are you falling in love now ??
5-can you tell me how is your feeling ??
6-is there any thing special in love ??
7-is it good or bad ??
8-your love is for who ??
9-for a girl ?? hahahahahahaha ( soory ) tell me do u trest in her ??
10-how can u do if she plays with you or leaves you .what are you gonna do ??
11-plzzzz think again and tell me ( where is the love ?

( by the way this article is for every one.ok?? allllll )

coming back to life after ... i don't know. do u ???

Mr_Psychopathe — Mon, 15 Dec 2008 19:02:24 UT

Where were you when I was burned and broken
While the days slipped by from my window watching
Where were you when I was hurt and helpless
Because the things you say and the things you do surround me
While you were hanging yourself on someone else's words
Dying to believe in what you heard
I was staring straight into the shining sun

Lost in thought and lost in time
While the seeds of lifeand the seeds of change were planted
Outside the rain fell dark and slow
While I pondered on this dangerous but irresistible pastime
I took a heavenly ride through our silence
I knew the moment had arrived
For killing the past and coming back to life

I took a heavenly ride through our silence
I knew the waiting had begun
And headed straight..into the shining sun

hi friends

Mr_Psychopathe — Sun, 06 Jul 2008 12:43:54 UT

hiiiiiiiiiiiiiii every one it's me nounou from algeria.i am creazy about rock music(metallica.nirvana.system of a down.iron maiden.pink floyd).and i love to make a lot of friendsssssssss

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